Author :
Pam Munoz Ryan, Illustrator : Peter Sis
5th Grade and up
El Sonador
The Dreamer
El
Sonador, Softcover, Spanish, Book, Pam Munoz Ryan,
Peter Sis,
5th Grade and up, 9780545176002,
$6.99
The Dreamer, Hardcover, English, Book,
Pam Munoz Ryan, Peter Sis,
5th Grade and up, 9780439269704,
$17.99
$333.83 for the Story Collection Pura Belpre Spanish Set, Including 20%-Off, Free Shipping, and No Sales Tax : 2 Hardcover Spanish Book, 8 Hardcover Bilingual Book, 19 Softcover Spanish Books, and 12 Softcover Bilingual Books
$448.07 for the Story Collection Pura Belpre English Set, Including 20%-Off, Free Shipping, and No Sales Tax : 24 Hardcover English Books and 18 Softcover English Books
Pura Belpre Award Winning Book in 2011 for Narrative
School
Library Journal : Starred
Review. Grade 4–9—Readers enter the creative, sensitive mind of Pablo Neruda,
the Nobel Prize-winning poet, in this beautifully written fictional biography.
Ryan artfully meshes factual details with an absorbing story of a shy Chilean
boy whose spirit develops and thrives despite his father's relentless
negativity. Neruda, who was born Neftali Reyes, sees, hears, and feels poetry
all around him from an early age. Luckily he finds understanding and
encouragement from his stepmother and his uncle, whose humanitarian and liberal
attitudes toward nature and the rights of the indigenous Mapuche people greatly
influence his developing opinions. In early adulthood, Reyes starts using the
pseudonym by which he becomes known, taking his last name from that of a famous
Czechoslovakian poet. Ryan suggests that this was how he hid his activities from
his father. Her poetic prose style totally dovetails with the subject.
Interspersed with the text are poems that mimic Neruda's style and push readers
to think imaginatively and visually. Sís's whimsical pen-and-ink pointillist
illustrations enliven the presentation. Each chapter is preceded by three small
drawings that hint at something to come. The perfect marriage of text and art
offers an excellent introduction to one of the world's most famous poets. An
appended author's note gives further insight into Neruda's beliefs and
accomplishments. In addition there are excerpts from several of his poems and
odes.
Booklist : Starred Review* Respinning the childhood of the widely beloved poet Pablo Neruda, Ryan and Sís collaborate to create a stirring, fictionalized portrait of a timid boy’s flowering artistry. Young Neftalí Reyes (Neruda’s real name) spends most of his time either dreamily pondering the world or cowering from his domineering father, who will brook no such idleness from his son. In early scenes, when the boy wanders rapt in a forest or spends a formative summer by the seashore, Ryan loads the narrative with vivid sensory details. And although it isn’t quite poetry, it eloquently evokes the sensation of experiencing the world as someone who savors the rhythms of words and gets lost in the intricate surprises of nature. The neat squares of Sís’ meticulously stippled illustrations, richly symbolic in their own right, complement and deepen the lyrical quality of the book. As Neftalí grows into a teen, he becomes increasingly aware of the plight of the indigenous Mapuche in his Chilean homeland, and Ryan does a remarkable job of integrating these themes of social injustice, neither overwhelming nor becoming secondary to Neftalí’s story. This book has all the feel of a classic, elegant and measured, but deeply rewarding and eminently readable. Ryan includes a small collection of Neruda’s poetry and a thoughtful endnote that delves into how she found the seeds for the story and sketches Neruda’s subsequent life and legacy. Grades 4-8.
Kirkus Reviews
: Ryan’s fictional evocation of
the boy who would become Pablo Neruda is rich, resonant and enchanting.
Simple adventures reveal young Neftalí’s painful shyness and spirited
determination, his stepmother’s love and his siblings’ affection and his
longing for connection with his formidable, disapproving father. The
narrative captures as well rain falling in Temuco, the Chilean town where he
was raised, and his first encounters with the forest and the ocean.
Childhood moments, gracefully re-created, offer a glimpse of a poet-to-be
who treasures stories hidden in objects and who recognizes the delicate
mutability of the visible world, while the roots of Neruda’s political
beliefs are implied in the boy’s encounters with struggles for social
justice around him. Lines from a poem by Ryan along with Sís’s art
emphasize scenes and introduce chapters, perfectly conveying the young
hero’s dreamy questioning. The illustrator’s trademark drawings deliver
a feeling of boundless thought and imagination, suggesting, with whimsy and
warmth, Neftalí’s continual transformation of the everyday world into
something transcendent. A brief selection of Neruda’s poems (in
translation), a bibliography and an author’s note enrich an inviting and
already splendid, beautifully presented work. (Historical fiction. 9-13)
Anita de la Torre
never questioned her freedom living in the Dominican Republic. But by her
12th birthday in 1960, most of her relatives have emigrated to the United
States, her Tío Toni has disappeared without a trace, and the
government’s secret police terrorize he
r remaining family because of their
suspected opposition of el Trujillo’s dictatorship. Using the
strength and courage of her family, Anita must overcome her fears and fly to
freedom, leaving all that she once knew behind. From renowned author
Julia Alvarez comes an unforgettable story about adolescence, perseverance,
and one girl’s struggle to be free. What would life be
like for a teen living under a dictatorship? Afraid to go to school or to talk
freely? Knowing that, at the least suspicion, the secret police could invade
your house, even search and destroy your private treasures? Or worse, that
your father or uncles or brothers could be suddenly taken away to be jailed or
tortured or killed? Such experiences have been all too common in the many
Latin American dictatorships of the last 50 years. Author Julia Alvarez (How
the Garcia Girls Lost Their Accents) and her family escaped from the Trujillo
regime in the Dominican Republic when she was 10, but in Before We Were
Free she imagines, through the stories of her cousins and friends, how it
was for those who stayed behind. Twelve-year-old
Anita de la Torre is too involved with her own life to be more than dimly
aware of the growing menace all around her, until her last cousins and uncles
and aunts have fled to America and a fleet of black Volkswagens comes up the
drive, bringing the secret police to the family compound to search their
houses. Gradually, through overheard conversations and the explanations of her
older sister, Lucinda, she comes to understand that her father and uncles are
involved in a plot to kill El Jefe, the dictator, and that they are all in
deadly peril. Anita's story is universal in its implications--she even keeps
an Anne Frank-like diary when she and her mother must hide in a friend's
house--and a tribute to those brave souls who feel, like Anita's father, that
"life without freedom is no life at all." (Ages 10 to 14)
Publishers Weekly : In her first YA novel, Alvarez (How the Garc¡a Girls Lost Their Accents) proves as gifted at writing for adolescents as she is for adults. Here she brings her warmth, sensitivity and eye for detail to a volatile setting the Dominican Republic of her childhood, during the 1960-1961 attempt to overthrow Trujillo's dictatorship. The story opens as 12-year-old narrator Anita watches her cousins, the Garc¡a girls, abruptly leave for the U.S. with their parents; Anita's own immediate family are now the only ones occupying the extended family's compound. Alvarez relays the terrors of the Trujillo regime in a muted but unmistakable tone; for a while, Anita's parents protect her (and, by extension, readers), both from the ruler's criminal and even murderous ways and also from knowledge of their involvement in the planned coup d'‚tat. The perspective remains securely Anita's, and Alvarez's pitch-perfect narration will immerse readers in Anita's world. Her crush on the American boy next door is at first as important as knowing that the maid is almost certainly working for the secret police and spying on them; later, as Anita understands the implications of the adult remarks she overhears, her voice becomes anxious and the tension mounts. When the revolution fails, Anita's father and uncle are immediately arrested, and she and her mother go underground, living in secret in their friends' bedroom closet a sequence the author renders with palpable suspense. Alvarez conveys the hopeful ending with as much passion as suffuses the tragedies that precede it. A stirring work of art. Ages 12-up.
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